Overdrive, amp and reverb, the perfect recipe for sizzling Texas blues tone.

This heavily-delayed tone has just enough dirt to add sustain.

Featuring a hint of delay and reverb, this tone gets thicker as you hit the strings harder.

Living at the edge of overdrive, this tone works with just about any genre.

A classic clean sound with a touch of chorus and delay.

Chorus and quick delay gives this sound some movement, while pitch-shifting adds some cool music box overtones.

Gritty tone with a touch of reverb, great for all things rock.

A tight, punchy sound with switchable boost for leads and tremolo for psychedelic effects.

A tight, clean rhythm sound, perfect for funk or pop.

A modulating filter adds a serious sense of movement to this tone.

A heavenly clean sound with tape delay and a splash of reverb.

This heavily compressed sound is ideal for tight, punchy rhythm work.

Straight-up no-frills rock 'n' roll rhythm tone.

This patch features a second tone a fifth below the fundamanetal—perfect for recreating the sound of a baritone underwater.

A back-to-basics country rhythm sound with footswitchable overdrive and tremolo.

A great rhythm sound, with some movement from chorus and delay, with a touch of reverb for thickness.

A slightly dirty sound with multiple echoes and tremolo that hints at a phaser-type sound.

Sparkling clean tone with a touch of echo and reverb to thicken it.

Straight-up no-frills rock 'n' roll lead sound.

This distorted, heavily delayed sound is ideal for modern metal leads or use the tap button in real time for outrageous delay fun.

The million-selling sound of modern pop funk

This preset is designed for machine-gunning the audience with feedback

Sonically radiant combination of reverb and two-octave pitch shift

This all-purpose mostly-clean tone is great for chicken pickin'

Triple-speaker Fender narrow-panel tweed classic known for crisp highs

Inspired by a vintage '60s combo known for its cavernous "all wet" reverb setting

Straight from the East Coast, this rocking sound can bring out a surprising amount of finesse in your playing

This punchy clean tone wears a touch of reverb

Highly popular mid-’60s Fender tone whether clean or pushed into overdrive

A raw rhythm sound, straight from the streets of Chicago

This modern garage rock sound goes great with a plastic guitar

This sound is full of attitude, perfect for playing anti-authoritarian rock

Designed for intricate arpeggio playing and anthemic pop, this tone is built around chorus and delay

A heavily chorused preset that makes the instrument sound 'wider'

A modern, high-gain metal machine

An elegantly eccentric modern-day Fender model with the distinctive "thump" of a 15" speaker

The snarl of a 'brownface'-era Deluxe cranked into overdrive

Small but mighty late-’50s Fender recording tone

THE classic clean guitar sound with a touch of reverb

As close as I could get to David Gilmour's sound on "Shine on You Crazy Diamond." Front pickup sounds best.

My take on Carlos Santana's "Smooth" tone. Good with SC pickups. As always - adjust to taste.

Based on Mustang I/II Factory Preset: RED #5 British 60s - Cabinet 57DLX, SAG Full, Stomp Pedal (Compressor), and Rack effect (Small Hall …

Use bridge pick-up, created on humbucker pick-up.

Gary Moore's lead tone for a Strat.

Pretty close to the song "Just Got Paid."

Perfect for arpeggios.

Easy going, dream-like tone played on a 2007 Squier Telecaster.

1970's Funk. Good with SC pickups.

Beautiful ambient tone perfect for anything that needs ambience!

A different take on pickin'. Not quite the classic Tele sounding Chickin' Pickin' sound, but fun to play regardless. Could be good for some …

As close as I could get to David Gilmour's sound on "Shine on You Crazy Diamond." Front pickup sounds best.

My take on Carlos Santana's "Smooth" tone. Good with SC pickups. As always - adjust to taste.

Based on Mustang I/II Factory Preset: RED #5 British 60s - Cabinet 57DLX, SAG Full, Stomp Pedal (Compressor), and Rack effect (Small Hall …

Use bridge pick-up, created on humbucker pick-up.

Gary Moore's lead tone for a Strat.

Overdrive, amp and reverb, the perfect recipe for sizzling Texas blues tone.

Pretty close to the song "Just Got Paid."

Perfect for arpeggios.

Easy going, dream-like tone played on a 2007 Squier Telecaster.

1970's Funk. Good with SC pickups.

Beautiful ambient tone perfect for anything that needs ambience!

This heavily-delayed tone has just enough dirt to add sustain.

Featuring a hint of delay and reverb, this tone gets thicker as you hit the strings harder.

Living at the edge of overdrive, this tone works with just about any genre.

A classic clean sound with a touch of chorus and delay.

Chorus and quick delay gives this sound some movement, while pitch-shifting adds some cool music box overtones.

Gritty tone with a touch of reverb, great for all things rock.

A tight, punchy sound with switchable boost for leads and tremolo for psychedelic effects.

A tight, clean rhythm sound, perfect for funk or pop.

A modulating filter adds a serious sense of movement to this tone.

Dvdb

Green Day

Keith Richards and his classic Rolling Stones sound

Clash songs like Clampdown, Tommy Gun, and Death or Glory

Springsteen songs like Badlands and Human Touch

Early Beatles and early Who

Back on the Chain Gang by the Pretenders

Bad Moon Rising by CCR

Bad by U2. Works for Pride as well

Paint It Black by the Stones

Simple Man by Lynyrd Skynyrd

Rockin' in the Free World by Neil Young

My Mesa preset designed on the GT with lots of volume, and presense. Sounds like a real amp, not like a stereo reproduction of an amp. …

Hell

Wanky

Pawn