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La Jazz Bass allait devoir faire face à d’importants changements en 1974. Le micro chevalet avait été rapproché du chevalet de 1,5 cm environ l’année précédente seulement, et 1974 vit le dernier de nos manches vissés en quatre points sortir de nos ateliers. De plus, le fin manche en érable profilé en « C » fut resculpté et remplacé par un profil en « U » plus épais (orné d'une bande « skunk » en noyer), un binding de touche blanc et des incrustations de type « pearl block » apparurent pour la première fois, des écrous de truss-rod « bullet » au niveau de la crosse furent adoptés et les plaques de protection noires succédèrent aux traditionnelles plaques « tortoise shell ».
La Jazz Bass American Vintage ’74 dispose de toutes les caractéristiques mentionnées ci-dessus et est l’unique membre de la nouvelle gamme de basses American Vintage permettant de choisir entre une touche en érable ou une touche arrondie en palissandre laminé, chacune dotée d'un binding blanc, d'incrustations de type « pearl block » et de 20 frettes de style vintage. Les autres caractéristiques authentiques comprennent un corps en aulne avec finition uréthane (frêne pour le modèle avec finition « Natural »), une plaque de protection 3 plis noir/blanc/noir (3 plis blanc/noir/blanc pour le modèle avec finition « Black »), de nouveaux micros simple bobinage American Vintage ’74 Jazz Bass, un repose-pouce au-dessus de la corde grave, un chevalet de style vintage avec pontets à rouleau « single groove » en acier, quatre mécaniques à engrenages ouverts style années 70 et estampillées « Fender », une plaque de manche à quatre vis arborant le « F », une plaque de protection chromée sur le micro et une autre exhibant le « F » sur le chevalet (positionnées de façon à respecter l'emplacement vintage), et bien plus encore. Disponible en finition « Three-Color Sunburst », « Olympic White », « Black » et « Natural ».
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I've not played this particular model. I currently own the older incarnation of this model which is the American Vintage 75 Reissue Jazz Bass. It's one of my favorite basses I own, the craftsmanship is second to none (It's better than any real 70's Fender Jazz Bass I've played), and the sound is huge and spot on to the era. This is due in part to the bridge pickup location, which is a little closer to the bridge than the standard or '60s jazz bass. My only problem with the instrument is that it's not a dead on reissue. It's a very close replica. It's little things like the logo design, the serial number location, and the fingerboard/inlay choices available. Minor things that don't really affect playability, construction, or someone who just wants a great instrument.
Now on to this instrument:
Essentially anything that made the 75 reissue cost more than a standard jazz bass was eliminated all short of the block inlays. The 3 bolt neck with tilt function and the bullet truss rod. In my eyes, this is what made the 75 jazz bass truly stand out in adjustability standards. It could be set up easily, quickly and perfectly every time. Now anytime a set up is necessary on this the neck must go on and off. This is a real pain for anyone who lives in a climate that varies quite a bit.
There was also the strange redundancy between Fender USA and Fender Japan where they were both making a 75 reissue. The Japanese model was even further from a true reissue in that the pickups were in the '60s position.
Don't get me wrong, I love how this looks, and it probably sounds just as good as my 75 reissue. I only wish that instead of making this, they expanded the colors of the '75 reissue. The only ones available before were natural ash with either a maple fingerboard with black blocks and binding, or a rosewood board with pearloid blocks and white binding. Would have preferred a maple board with pearloid inlays like the neck here, but that's splitting hairs. Great bass no matter what it looks like.
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